The series already has the makings of another smash-hit K-drama for Netflix. If you've seen the finale, then you may have some questions of your own about what just happened, not unlike the character who shouts, "The message is too complicated for me to understand! What the hell are you trying to tell me?" A time jump midway through the first season, similar to the Jude Law-led HBO series, "The Third Day," is just one example of the kind of bold storytelling moves "Hellbound" makes. The series from writer Choi Kyu-sok and "Train to Busan" director Yeon Sang-ho, based on their webtoon, "The Hell," manages to overcome any misgivings about its dodgy CG angels and demons, or "Executors," to deliver an addictive six episodes that raise some thought-provoking questions about justice of both the cosmic and earthbound variety. Considering the questionable visual effects that accompanied its first trailer, Netflix's "Hellbound" turned out infinitely better than it had any right to be.
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